"'Baby's In Black' we did because we liked waltz-time," McCartney continued.
The time signature was also a marked difference for a Lennon/McCartney song.
It was more 'baby's in black' as in mourning. I Love You' is about.We wanted to write something a little bit darker, bluesy, the title's dark anyway.more grown up rather than just straight pop. "Our student selves rather than 'we must please the girls and make money,' which is all that 'From Me To You,' ' Thank You Girl,' P.S.
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"We got more and more free to get into ourselves," McCartney remembers. They got together on this day with the intention of writing something different from their usual. "It was very much co-written," Paul concurs. "Baby's In Black" was "written in the same room," as John commented in 1980. "It was always nice to have an excuse to drive out into the country," McCartney explains, "so that generally meant that I got out to John's house." The two of them would almost always meet up at John's newly acquired Kenwood home for songwriting, since the music room at the Asher's House where Paul stayed wasn't always available and also because John didn't drive. Even though their third British album " A Hard Day's Night" was released in July, John and Paul took advantage of this relaxed month to start writing songs for their next album.
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The result was "Baby's In Black."Īfter a hectic world tour of June 1964, The Beatles had a relatively relaxed July, making local British TV appearances and concert dates, ending in a brief Swedish tour. This format bore great rewards, such as with " From Me To You" and " I Want To Hold Your Hand." In this case, John and Paul got together at Lennon's Kenwood home sometime in July of 1964 to write what became one of the very last songs written together from scratch. Sometimes they would sit together to finish off someone's composition, such as in the case of " With A Little Help From My Friends," or add an idea here or there, as with " Getting Better." And while they did stray into writing songs completely by themselves at times, they kept up the 'finishing off' formula throughout The Beatles career.Įarlier on, however, they did manage to sit "nose to nose," as Lennon would refer to it, from time to time. They decided that this newer approach, finishing off a near-completed idea from the other partner, was a more feasible way to keep the songwriting team intact. He'll bring a new approach to it and that particular song will finish up half and half, Lennon and McCartney." If I get stuck on the middle eight of a new number, I give up, knowing that when I see John he will finish it off for me. "If you happen to be on your own, you might as well get it finished yourself. "It would be daft to sit around waiting for a partner to finish your song off with you," McCartney explained back then. While they started off in their formative years skipping school to meet and write songs together from scratch, they found this practice somewhat burdensome to maintain. With such diverse personalities, which became even more diverse as their partnership developed through the Beatle years, they maintained their cohesiveness by adopting various songwriting formulas. The output of the legendary songwriting team of John Lennon and Paul McCartney has become one of the most loved and highly esteemed catalogs in popular music.